Online, Can a Museum Be A Person?

[This is the English version of post originally published on c/blog]

Are museums people?

What is a museum online? A website is a destination so visiting a museum’s website is analogous to visiting its building—it has an address on the internet just as it has an address on the street (assuming it isn’t a virtual museum!) The same term, “visitor,” is used to identify you both when you view the museum’s homepage and when you walk through its doors. In email, sending an inquiry to the main museum email address isn’t much different from calling the museum’s main telephone number. Email and websites were born in institutions—the first people to have either in large numbers were at universities—so models were easily found for the existing needs and practices of museums.

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Craft the Backs of Fences


Gawker recently published (Oct 28, 2011) an article, “The Most Anal CEO Ever,” that’s a little bit myth-making, a little bit making fun of a man’s eccentricities,  but can’t quite decide if Jobs was brilliantly sweating the small stuff or tyrannically wasting people’s time. The gist is that Jobs cared a lot about things that nobody else would ever care about. His success is left on the table as some kind of argument, and the writer gives in to the temptation of letting his behavior seem pretty crazy (like tearing off his oxygen mask because he hated the design) but doesn’t dig into why this might be a good thing sometimes. On the one hand we see him taking forever to redesign the interior of his private jet with brushed-metal buttons; on the other he sends an excited engineer back to the drawing board to enable rectangles with rounded corners in the Mac interface.
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Museumtweets Mashup

On April 18 Jim Richardson (@sumojim) posted a Google Spreadsheet containing a list of over 1,500 museums that use Twitter, along with their followers, Klout score and other data:

This has attracted a lot of attention and become a large collaborative project (with major contributions from @museumnerd, @museumsukkel, and @mardixon) but the spreadsheet itself is somewhat hard to read. Google Docs is a great way to work together, but not such a great way to spread information.

Because I thought it would be fun to try (and might save some people a lot of work!), I hacked together a web page that uses the Google Docs API to get the list of Twitter names from the spreadsheet, then uses the Twitter and Klout APIs to fill in the rest (plus a little more). The result, Museums on Twitter, is good enough to go live.

I had to write my own Python library for Klout, AukPilot, so that took a little time and right now (3:00 Sunday afternoon) a cronjob is still filling in the Twitter data. Over the next few days it should stabilize into a good overview of the data SumoJim and other shave collected.

Update #2 (4/27, 11:30pm EDT): I’m starting to add Facebook data. Have it for 40% of entries so far. Not bad for the first pass.

Update #1 (4/25, 1:15pm EDT): Most of the twitter data is getting automatically filled in except for some of the troublesome entries (sorting out what data Klout does and doesn’t always have; blank lines in Jim’s spreadsheet are causing trouble with the Gdocs API, etc)

Planned additions/tweaks so far:

  • Add Facebook data
  • Adding the countries from Jim’s spreadsheet
  • Making the columns sortable (I want this to be a nice JavaScript thing but that’s hard because the list is so long)
  • Click an entry to view its data in more detail

What else? Tweet or comment below

Squatters ‘n’ Tweets

Simple Paradise by roybuloy on FlickrShould we abandon Twitter? Can we? I doubt it, but recent events have shown just how user-unfriendly Twitter can be, not just in the workings of their service but in their beliefs of what their service should be. In an announcement on March 11 they made many third-party developers out to be term-violators and freeloaders, virtual squatters in the mansion of the tweet. But Twitter users built that mansion, and now Twitter seems out to serve users only as well as users serve Twitter.

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